[codex] I.
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MODES OF WORK
The program combines interconnected modes of artistic, genealogical, material, technical, and critical inquiry.
Design presentation and contextualization
Participants present their practices, methods, formative paradigms, prototypes, and questions. Presentation articulates design decisions, technical lineages, inherited assumptions, and unresolved problems for collective examination.
Practice-led development
Participants develop projects through sustained exchange involving discussion, listening, making, coding, assembly, testing, revision, comparative experimentation, consultation, and deliberate negotiation of artistic decisions within individual and collaborative projects.
Genealogical and material inquiry
Historical instruments, patents, drawings, recordings, manuals, tools, components, code, and standards are examined as sources and agents of paradigms. Analysis may address provenance, mediation, transmission, fabrication, classification, ownership, repair, use, and context.
Interaction inquiry
Participants investigate how instruments become playable, intelligible, and consequential without reducing evaluation to specifications. Attention centers on material behavior, affordance, resistance, feedback, embodiment, listening, learning, agency, adaptability, and real-time musical decisions.
Critical reflection
Participants examine the assumptions, values, methods, and structures informing their work. Reflection encompasses individual projects, technical practices, collaborative relationships, and genealogies of originality, authenticity, and excellence.
Workshop as inquiry
The workshop is both a site and method of inquiry. It reveals how paradigms operate through materials and systems, where inherited criteria become tangible, and how technical, embodied, relational, conceptual, and structural decisions interact over time.
Public presentation
Projects are presented at the seventh Bled Contemporary Music Week, entering an artistic and discursive context. Public presentation marks the residency’s provisional culmination while opening each instrument and inquiry to further use, interpretation, response, and development.
DATES
MENTORS
ARTISTIC PREMISE
CONCEPTUAL FRAMEWORK
WHO THE RESIDENCY IS FOR
PROGRAM STRUCTURE
MODES OF WORK
CENTRAL QUESTIONS
ARTISTIC DEVELOPMENT
ANTICIPATED OUTCOMES
INTERNATIONAL EXCHANGE
WHY PARTICIPATE?
APPLICATION
APPLICATION FORM AND
PARTICIPATION FEES
The [codex] program is produced by .abeceda Institute
.abeceda [Institute for Research in Art, Critical Thought and Philosophy], a public-benefit NGO and non-profit organisation dedicated to advancing contemporary artistic practices and critical inquiry. Through its innovative programmes, .abeceda has gained international recognition as one of the leading platforms for contemporary music and artistic research in the Adriatic region and across Europe: www.abeceda.io